Jumanji: Open World flips the body swap for its last game
The new Jumanji: Open World trailer lets the avatars loose in our world and puts Spencer's mom inside Dwayne Johnson. What it confirms before the December 25, 2026 release, and how it stacks up against the last two.
Sony released a new trailer for Jumanji: Open World on October 28, 2026, and it finally shows how the series plans to end. The film opens in theaters on December 25, 2026. Jake Kasdan, who directed the last two, is back as writer and director, and The Hollywood Reporter says the movie has been billed as the final installment of the trilogy that started with Welcome to the Jungle.
The hook is a reversal. Sony's own synopsis on the Sony Pictures UK film page puts it simply: this time Jumanji breaks free of its console and unleashes its chaos into our world. The game used to be the place you got stuck. Now it is the thing that gets out.
Who is in whose body
The body swap is the engine of these movies, so it is worth being precise. Per UPI, the avatars played by Dwayne Johnson, Kevin Hart, Jack Black and Karen Gillan are transported into the real world, while Spencer (Alex Wolff), his mom Janice (Marin Hinkle) and others are swapped into the game. The Hollywood Reporter adds that the trailer shows Johnson's avatar being inhabited by Spencer's mom, and Black's avatar taken over by a male restaurant worker.
That second detail is the funniest idea in the trailer, and also the smartest. Black playing a teenage girl trapped in a middle-aged explorer was the best running bit in the 2017 film. Flipping it so that a guy from a restaurant is now in the body Black plays is a direct callback that also changes the joke. THR quotes the exchange that will be in every TV spot: Black says "What a woman" about Johnson, and Johnson replies, "Oh, stop."
The game used to be the trap. In the last one, the game is the thing that gets loose.
The trilogy so far, in numbers
Here is the modern run side by side, using the release timing and box office figures THR reported. The direction column is my shorthand for where the story sends the characters.
| Film | Release | Direction | Global box office |
|---|---|---|---|
| Jumanji: Welcome to the Jungle | December 2017 | Teens pulled into the game as adult avatars | Over $950 million |
| Jumanji: The Next Level | 2019 | A second trip into the game | $801 million |
| Jumanji: Open World | December 25, 2026 | The avatars come out into our world, and a new group goes in | Not yet released |
Two things stand out. First, the drop from the first film to the second was real but not a collapse, which is why Sony is willing to make a third. Second, Open World is the first of these that actually changes the rules of the board instead of just adding players. That is the right instinct for a finale. The risk is that a real world setting loses the thing that made the jungle fun: the game logic, the lives counters, the cutscene characters who repeat themselves.
The cast list keeps growing
THR lists Johnson, Black, Hart, Gillan and Wolff reprising their roles, with Nick Jonas, Morgan Turner, Ser'Darius Blain, Madison Iseman and Danny DeVito rounding out the cast. UPI also names Awkwafina. Kasdan co-wrote the script with Jeff Pinkner and Scott Rosenberg.
That is a lot of people to give something to do in one movie, and the more you swap bodies, the more characters you are really juggling. Each actor playing someone else effectively doubles the role count. I would watch for whether the trailer's restaurant worker and Janice get real arcs, or whether they are just new voices inside familiar faces.
What it is up against
Christmas Day is a family slot, and this one arrives after a crowded November for franchise films. ABC News reports that The Hunger Games: Sunrise on the Reaping opens November 20, so the Panem crowd will have had five weeks with that one before Jumanji lands. Different audiences, mostly, but the same holiday wallets.
If you have been following how studios turn games into movies this year, Jumanji is a strange cousin. It is not an adaptation of a real game at all, which frees it from the fan arguments that greeted Street Fighter's reviews and their anime flashbacks. And it is the opposite approach from the one I argued for when The Arena picked up Samurai Shodown, where the source material is the whole point.
Things to watch before December
- The real world rules. Does the game bring its logic with it, like extra lives or weaknesses, or do the avatars just become very strong people in a city?
- Janice. Putting Spencer's mom inside Johnson's avatar is the trailer's biggest new idea. If the movie commits to it, that is the heart of the film.
- The ending. Billed as the final installment means the movie has to close the door on the game, not just win one more round.
My take: the trailer earns some trust. Turning a body swap franchise inside out for its last round is a better idea than a third trip through the same jungle. If Kasdan keeps the game logic alive outside the console, this could be the best of the three.
How we made this: researched and drafted with AI assistance. Sources are linked in the piece.
How we made this: researched and drafted with AI assistance. Sources are linked in the piece.
Original commentary based on public reporting. Not a reprint. Editorial standards.
